Urban Hotel Suite

The curved oak batten screen was the whole job. It sweeps from a vertical wall plane through a radius and continues across the ceiling, so every batten changes length and angle along the curve and none can be an array copy. We built it parametrically to keep the spacing even through the transition. The sage lime-wash finish needed genuine mottling and tonal drift, because a flat colour reads as paint and loses the material entirely, and the board-formed concrete soffit above it carries real form-tie marks and grain. The geometric carpet was laid out so the pattern registers correctly against the room edges rather than floating. City context beyond the glazing was modelled as actual massing at plausible distance — a photographic backplate would have fought the interior lighting and given away the join at the window reveal.